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Product details
File Size: 5839 KB
Print Length: 258 pages
Page Numbers Source ISBN: 0761163239
Publisher: Workman Publishing Company; 1 edition (June 2, 2011)
Publication Date: June 2, 2011
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B0051NHJFU
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Amazon Best Sellers Rank:
#43,909 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I've read several books about shooting video and Videomaker Magazine on the regular basis, my final analysis is that it's difficult to find a decent book that covers the essentials for someone like myself who wants to record a few memories or document places I've visited. The problem with books by professionals is that they treat the subject matter as if everyone wants to make a movie that could be featured at the Cannes Film Festival. This book has a lot of good advice to be sure, but is beyond what most people will want or need. Unlike other books of this genre it doesn't preach about buying expensive video equipment, which is refreshing, but who the hell is going to story board a family members birthday party? Yes I agree that it's important to have some sort of plan of what you want to capture and what the best vantage point for that would be, but I'd have to be extremely anal to try to plan out every shot in advance. Unfortunately with live people, not actors, you can't always count on them to follow your plan. I also resist authors that give absolutism advice--like never zoom, never use in camera effects, etc.. . I think that there is an application for just about everything if you know when certain things will work to your advantage. If you want to shoot a story, a music video, or a commercial this book can be invalueable--for everyone else it depends on just how deep you want to go and what you plan on doing with your movie afterwards. Many videos that go viral on YouTube, would by Mr. Stockman's definition "suck"--but people like them anyhow for some reason--I've learned that it's hard to predict what people will like. If you are looking for a book that explains video camera features and difference between types, don't look here. If you need advice about the movie making process there is a derth of books about making videos for average people and if you need some guidance, then I think you could benefit from much of Mr. Stockman's advice--but be prepared to navigate a sea of knowledge when you may only need a bathtub full.
With no prior training, I was immediately drawn to this book to improve the quality my home videos.Here are my take-aways to Plan-Move-Point-Shoot-Stop-Edit:I.Plan: - Make sure that every video, scene, and shot has a clear intent of how you want the audience to react and be explicit - Select a point-of-view (the "side"/opinion of a specific individual) - Either script or build a checklist of an anticipated key shotsII. Move: - Keep the light behind you; make sure the lighting matches the story - Match location, background, and foreground to the story - Make moves in large incrementsIII. Point: - Focus on people's eyes to capture emotion - Do not move the camera or use digital zoom before or during the shot - Keep the focus of your image out of the middle square of a 3x3 grid - Use an external mic (lavaliere or boom)IV. Shoot: - Make every shot an action with a clear hero and a beginning, middle, and end. - Make each scene answer questions from the prior scene and raise new ones - If using two cameras, manually synch their AWB (automatic white balance)V. Stop: - Keep shots under 10 seconds (if traveling, shoot two 10-sec shots per hour)VI. Edit: - Keep videos as short as possible; if doing a how-to, consider breaking into a series - Edit out everything that does not need to be there - Limit the use of graphics/text/titles; if used, make text/titles simple (ex: Helvetica) and effect-free - Consider using a call-back to link the final shot to the initial shot - Music & Sound: Test music that is on-story, counter-story; and unrelated and see what works; Add natural sound effects - Rely almost completely on cuts with a rare wipe (to convey movement) and even rarer dissolve (to shift to a somber mood) - Seek feedback and address all common concerns and think about unique ideas/concerns[UPDATE: I updated this review from 2 stars to 5 stars on Jan 14, 2013. Though the book has a high degree of redundancy, it has truly transformed the way that I approach video.]
The book is everything it's cracked up to be - very solid information well-presented.Among other nuggets, the book emphasizes the importance of caring about the audience, respecting audience members, guarding their time, refusing to bore them. I recently spent good money for a memoir by a prominent football coach. I can't get over how that guy and his ghostwriter put together that book so casually and lazily. Major disrespect for the audience.Stockman's appendix includes film suggestions. Nice to see "Lawrence of Arabia" and "The Godfather" there.There's very little about technical stuff here, i.e., not much at all about compression rates etc. Plenty of books supply that stuff. "The Filmmaker's Handbook" covers this turf very well.Stockman's book is not only well-written, it's well-designed and produced - short chapters, plenty of white space, excellent typefaces.
I think Amazon needs to implements some rules about reviews where the product was given away for free. Here should be a mandatory ratio of at least 1:1, endorsed vs. genuine. Many books on film and video production have ratios of 15:1, endorsed vs. actual real-world readers.My review for this book is 5 stars. But be careful when looking for other good books. Make sure there are more genuine reviews than endorsed views. The easiest way to do is is by sticking to books that have over 100 reviews.The new "not yet rated" has been replaced with 15-20 reviews averaging around a 4.5.This book is great for all he reasons everyone else says it is. I just wanted to share some advice as well.
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