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Edmund Spenser's Poetry (Norton Critical Editions)
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About the Author
Hugh Maclean was Distinguished Teaching Professor Emeritus at the State University of New York at Albany. A Toronto Ph.D., he also taught at the Royal Military College of Canada and the University of Cincinnati. He was the editor of the Norton Critical Edition of Ben Jonson and the Cavalier Poets and the author of numerous articles, including three in The Spenser Encyclopedia.Anne Lake Prescott is Professor of English at Barnard College, Columbia University, where she was recently chair. A Columbia Ph.D., she has also taught in the Columbia graduate department. She is the author of French Poets and the English Renaissance: Studies in Fame and Transformation, many articles on Renaissance literature, and ten contributions to The Spenser Encyclopedia.
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Product details
Paperback: 864 pages
Publisher: W. W. Norton & Company; Subsequent edition (December 17, 1992)
Language: English
ISBN-10: 0393962997
ISBN-13: 978-0393962994
Product Dimensions:
5.6 x 1 x 9.2 inches
Shipping Weight: 1.7 pounds (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
14 customer reviews
Amazon Best Sellers Rank:
#66,534 in Books (See Top 100 in Books)
This edition is all right - reasonable level of annotation (most students would benefit from more), justifiable selection, fair show of critical essays; but it's a comedown from the 2nd ed. in every respect, or so it seems to me. The selection from "The Faerie Queene" cuts out Scudamour's relation of his experience in the mysterious Temple of Venus: absolutely essential for anyone reading Book III, which is printed entire in both eds. The pseudo-personal "Colin Clouts Come Home Againe" is a thin substitute, whatever its indications of "the teasing ambiguities of the patronage system" so dear to critics of the 1990s. With the new emphasis on politics rather than philosophy, the "Fowre Hymnes" have gone too; the editors are clearly aiming to reflect "recent critical attention" (their words), but the result somehow suggests that Spenser has become more predictable, less intellectually exciting, over the 10 years between the two editions (1982-1993). As for the choice of critical essays, some things have not been changed when they should have been (the tiny snippet on allegory from "The Kindly Flame" is far too brief to be helpful); on the other hand, the excision of C.S. Lewis's account of the House of Busyrane is simply perverse. Lewis is the critical starting point for this, and later work depends (whatever its attitude) on him.Obviously a new edition must struggle over the demands of space, but it must also keep in mind the nature of its readership. Who will use this? Not a professional Renaissance scholar, who will own a complete text. So, students, or interested readers, who don't already own the previous edition, and have not necessarily internalized a long tradition of Spenser scholarship. This imposes a serious responsibility on the editors to choose not just fashionably but judiciously. And to limit the bibliography to work published since 1972 (just over 20 years!) is not just injudicious but absurd. (The list for "Epithalamion" does not list Kent Hieatt's seminal study of its structure, to give just one egregious example.) Also, of course, this procedure limits the work's own reach into the future. This bibliography already looks out of date, as one with a broader chronology would not. The same goes for other elements, too: the editors of a fourth edition, on a similarly limited plan, would probably want less on power and more on gender - and thus, with luck, might reintroduce the Temple of Venus, dropped here.Meanwhile, for the decisions here outlined, so damaging to the lasting value of the book, these editors deserve three stars.
All of the added notations makes scholarship in Spenser a much easier task than it probably was 50 years ago.
Contains an easy-to-read translated version of the Faerie Queene, one of the most notoriously hard to read pieces of literature on this planet. This is truly a collection of Spenser's finest.
My youngest daughter - in college - seems very well pleased with this selection... like the professor gave her a choice, right?
Good book
Edmunds was one of the best writers amongst Saucier and Shakespeare. Milton has nothing on Edmund!
This book meet all my expectations
My daughter and I discovered a few months ago that Edmund Spenser is a long-lost great grandfather! Naturally we were both eager to read some of his works. The book arrived within just a couple of days and was in great condition. Thanks! Now it's just a matter of "muddling" through all that language!!
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